Téma: Olasz zeneszerzők |
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Dario Castello: Sonata Prima Közzététel: 2013. nov. 18.
Regional Spotlight: Bach Society of Minnesota by Steve Staruch, Minnesota Public Radio November 14, 2013
ST. PAUL, Minn. — East met West in early 17th-century Venice, and the exotic elements of Middle Eastern and Asian cultures were on display in the music of Venice at the time.
In the Regional Spotlight this week is a frenzied and wide-eyed performance of a Sonata by Dario Castello by members of the Bach Society of Minnesota, harpsichordist Paul Boehnke and baroque violinist Jin Kim.
This September performance was recorded in The Baroque Room in St. Paul, Minn., from a series titled The Road to Bach. |
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Andrea Bernasconi: Miserere Közzététel: 2015. okt. 1.
Andrea Bernasconi [1706-1784]
Miserere 1753-1759
I. Miserere II. Amplius III. Tibi soli IV. Ecce enim V. Auditui meo VI. Cor mundum VII. Ne proicias me VIII. Redde mihi IX. Docebo X. Libera me XI. Domine labia mea/Quoniam XII. Sacrificium XIII. Benigne fac XIV. Tunc imponent XV. Gloria/Et in saecula
Solisti e Coro della Radiotelevisione svizzera I Barocchisti Diego Fasolis [direction] |
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Vincenzo Albrici: Sonata à 5 Közzététel: 2014. júl. 21.
Vincenzo Albrici (Rome 26 June 1631 - 6 June 1695 or 8 August 1696 in Prague)
Work: Sonata à 5 for 2 violins, trumpets, sackbut, bass-viol, violone, theorbo, harpsichord, timpani.
Ensemble: Ensemble Mare Balticum |
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Giulio Segni da Modena (1498-1561): Fantasia Közzététel: 2013. dec. 19.
Henrike Hageböke - Orgel Martin Hageböke - Geige Heike Timpe - Sopranflöte Carsten Timpe - Gitarre |
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Alessandro Rolla: Concert for Viola and Orchestra E-s Dur op. 3-I Közzététel: 2013. márc. 11.
Recorded live, February 17, 2012. Djansug Kakhidze Tbilisi center for Music and Culture. Georgia Tbilisi Simphony Orchestra. Conductor - Vakhtang Kakhidze Soloist - George Tagauri (Viola) |
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Davide Perez: Mattutino de' morti Közzététel: 2013. dec. 19.
(Napoli, 1711 -- Lisbona, 30 ottobre 1778)
Performed by: direttore Giulio Prandi, Ghisleri Consort & Choir. S. Vitale, R. Invernizzi
Live recording, 2013
Picture by: Mattia Preti - Ritorno del figliol prodigo (palazzo Reale, Napoli) |
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Carlo Ambrogio Lonati: Ciaccona Feltöltés: 2011. nov. 20.
Carlo Ambrogio Lonati: Ciaccona - Adagio - Corrente - Giga - Sarabanda Milano 1701
Lonati's 12 sonatas were dedicated to Emperor Leopold I. The only known copy was carried to Dresden by Pisendel in 1718. The last piece of the volume is an extensive Ciaccona with a series of short additional movements, all of them upon the G-F#-E-D tetrachord bass.
Hortus Musicus 99 Attila Feltein - violin Aino Oláh - spinet Betty Mészáros - organ |
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Giovanni Giorgi: Missa à due Cori tutti piena - I.Kyrie Feltöltés: 2011. szept. 21.
Giovanni Giorgi (?-1762)
Messa a due Cori tutti piena fatta per la Capella Reale di Lisbona per S.Pio V
I.Kyrie
Choeur de Chambre de Namur Capella Mediterranea Clematis dir.Leonardo García-Alarcón
http://en.wikipedia.org/wiki/Giovanni...) |
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Giovanni Battista Ferrandini: String Quartet in G minor Közzététel: 2013. dec. 18.
Giovanni Battista Ferrandini, 1710-1791
String Quartet in G minor: 1(3). Allegro 0:15 2. Andantino 4:15 3(1). Allegro 6:33
Echo du Danube http://www.echodudanube.com
Florian Deuter [violin] Monica Waisman [violin] Ludwig Hampe [viola d'amore] Wolfgang von Kessinger [viola]
http://www.amazon.com/Ferrandini-G-B-... |
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Claudio Casciolini (1697-1760): Panis Angelicus Közzététel: 2014. aug. 7.
Choir of the Basilica of the National Shrine of the Immaculate Conception
Dr. Peter Latona, Director of Music
Mr. Benjamin LaPrairie, Associate Director of Music |
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Cesare Bendinelli: Rotta Ò Sonata Feltöltés: 2010. okt. 13.
Volume di tutta l'arte della Trombetta (1614)
Cesare Bendinelli (1542 - 1617) |
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Filippo Azzaiolo: Al dì, dolce ben mio Közzététel: 2015. máj. 31.
villanella a 4 |
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Giuseppe Scarlatti: Dove è amore è gelosia Közzététel: 2012. okt. 31.
• Giuseppe Scarlatti: Dove è amore è gelosia
• Clarice: Lenka Máčiková • Vespetta: Kateřina Kněžíková • Orazio: Aleš Briscein • Patrizio: Jaroslav Březina
Schwarzenberg Court Orchestra Conducted by Vojtěch Spurný
© Broadcast by Czech Television, 2011 |
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Tiburtio Massaino (c. 1550 - 1609): Feria V. In coena Domini - Lectio Prima Közzététel: 2012. máj. 7.
Musica super Threnos leremiae prophete Paul van Nevel, Huelgas Ensemble |
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Antonio Lolli: Violin Concerto in C major Op.2a No.2 Közzététel: 2015. jan. 24.
Antonio Lolli Violin Concerto in C major Op.IIa No.2 1. Andante 2. Adagio 3. Allegro Giuliano Carmignola Violin Venice Baroque Orchestra Andrea Marcon Conductor
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Remo Giazotto: Albinoni - Adagio in G Minor (guitar version) Közzététel: 2014. szept. 8.
The Adagio in G minor for violin, strings and organ continuo, is a neo-Baroque composition popularly attributed to the 18th-century Venetian master Tomaso Albinoni, but actually composed by the 20th-century musicologist and Albinoni biographer Remo Giazotto, purportedly based on the discovery of a manuscript fragment of Albinoni.
Although the composition is often referred to as "Albinoni's Adagio", or "Adagio in G minor by Albinoni, arranged by Giazotto", the attribution is incorrect. The ascription to Albinoni rests upon Giazotto's purported discovery of a tiny manuscript fragment (consisting of a few opening measures of the melody line and basso continuo portion) from a slow second movement of an otherwise unknown Albinoni trio sonata.
According to Giazotto, he obtained the document shortly after the end of World War II from the Saxon State Library in Dresden, which − though its buildings were destroyed in the bombing raids of February and March 1945 by the British and American Air Forces − had evacuated and preserved most of its collection. Giazotto concluded that the manuscript fragment was a portion of a church sonata (sonata da chiesa, one of two standard forms of the trio sonata) in G minor composed by Albinoni, possibly as part of his Op. 4 set, around 1708.
In his account, Giazotto then constructed the balance of the complete single-movement work based on this fragmentary theme. He copyrighted it and published it in 1958, under a title which, translated into English, reads "Adagio in G Minor for Strings and Organ, on Two Thematic Ideas and on a Figured Bass by Tomaso Albinoni". Giazotto never produced the manuscript fragment, and no official record of its presence in the collection of the Saxon State Library has been found.
The discovery by musicologist Muska Mangano, Giazotto's last assistant, of a modern but independent manuscript transcription of the figured bass portion and six fragmentary bars of the first violin, "bearing in the top right-hand corner a stamp stating unequivocally the Dresden provenance of the original from which it was taken", provides some support for Giazotto's account that a manuscript from Dresden was his source. The scholarly consensus is that the Adagio is Giazotto's composition, whatever source may have inspired him.
The piece is most commonly orchestrated for string ensemble and organ, or string ensemble alone, but with its growing fame has been transcribed for other instruments. The Italian conductor Ino Savini (1904–1995) transcribed the Adagio for a large orchestra and conducted the piece himself in Ostrava in 1967 with the Janáček Philharmonic. The composition has also permeated popular culture, having been used as background music for such films as Gallipoli, in television programmes, and in advertisements.
Free video background: http://www.free-video-footage.com
Creative Commons license: Public Domain. |
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Giuseppe Ferlendis: Oboe Concerto in F-major Közzététel: 2014. jan. 16.
Picture: Thomas Gainsborough - Road from Market
Giuseppe Ferlendis (1755--1810) was an Italian oboist and composer.
Work: Oboe Concerto in F-major
Mov.I: Allegro 00:00 Mov.II: Adagio 06:10 Mov.III: Rondo: Allegro con brio 09:07
Oboist: Helen Jahren
Orchestra: Musica Vitae
Conductor: Peter Csaba |
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Girolamo Dalla Casa (?-1601): Diminutions sur Oncques amour de Thomas Crequillon Közzététel: 2014. okt. 13.
Aufnahme (Live) vom Abschlusskonzert (Juhee Lee) am 25. Mai 2013 an der Schnitger-Orgel in der St. Jacobi/Hamburg
Zink, Julia Fritz Orgel, Juhee Lee |
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Zsíros B. Ödön |
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Azt mondják, hogy a hárfások a fél életöket hangolással töltik el, a másikat meg azzal, hogy hamis hangszeren játszanak. |
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Pietro Paolo Bencini: "Laudate pueri" (1725) Közzététel: 2013. jan. 5.
Pietro Paolo Bencini Laudate pueri (1725)
Gabriella Martellacci, contralto Concerto Romano Alessandro Quarta, direttore
Roma, S. Maria dell'Anima, 3 novembre 2010 |
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mpd |
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Megvan!!!! Pietro Raimondi volt az. Liszt az 1850-es évek elején ismerte meg azt a 3 oratóriumot (József, Putifár és Jákob címűek), amik külön-külön és együtt is előadhatók. Mikor utánanézett a csávónak, kiderült, hogy írt 4 fúgát is ebben a szellemben, valamint két operát is, amik külön is, együtt is előadhatók. Elhatározta, hogy megismerkedik a szerzővel, de az meghalt éppen akkoriban, 1853-ban. Aztán, mint korábban valószínűleg JSB is, Liszt is rájött, hogy ez leginkább tányérdobáló zsonglőrködés (kopirájt Kamp Salamon), és miután kipróbálta a Tasso menüett-részében, elvetette, mint olyat, ami nem szolgálja az új zene fejlődését. |
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